![]() ![]() ![]() The IV △7–V 7–iii 7–vi progression was originally influenced by jazz and rock progressions originating in Western music. "little devil") is a pejorative phrase used to describe a seductive lover who teases with one's feelings as the chord progression involves two major chords in succession followed immediately by two minor chords, Kameda describes the moment where the progression moves from the major dominant chord to the minor mediant chord as akin to the moment of heartbreak induced by a playful lover, hence the name. The informal name for the progression, Ōdō shinkō ( 王道 進行), literally translates to " royal road progression" in Japanese, the expression ōdō ( 王道, "royal road") is used to describe an easy or painless method to do something.Īn alternative term, koakuma chord progression, was originally coined by Japanese music producer Seiji Kameda on the 2014 NHK television show Kameda's Music Academy ( 亀田音楽専門学校, Kameda ongaku senmon gakkō). IV △7–V 7–iii 7–vi–ii 7–V 7–I creates a full circle of fifths progression in the major mode, with V 7 substituting for vii°. The chord progression may be resolved with the tonic chord, for example in a IV △7–V 7–I or a ii 7–V 7–I progression. It involves the seventh chords of IV, V, and iii, along with a vi chord for example, in the key of C major, this would be: F M7–G 7–Em 7–Am. The IV △7–V 7–iii 7–vi progression, also known as the royal road progression ( 王道進行, Ōdō shinkō) or koakuma chord progression ( 小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within contemporary Japanese pop music. One potential way to resolve the chord progression using the tonic chord. ![]()
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